Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob.
Same as Random Space, but with the delay randomization replaced with lush chorused modulation. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation. Medium diffusion/early echo density, somewhat darker sound, chorused modulation.
Emulates the sound of early 1980s room algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation. Inspired by early 1980s plate algorithms. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation. Based on the hall algorithms of the late 1970s and early 1980s. ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s. Listen: Valhalla DSP has come unstuck in time. Let me know if y'all want a screen cast comparison.TEAM R2R 2015.02.03 | WiN: 2.79 MB | MAC: 5.1 MB There are a handful of other great ones out there (Exponential Audio's Phoenixverb, QL Spaces, Altiverb, etc.) - but for my $$$, it doesn't get any better than the offerings above. I have some custom impulses for Space Designer that are crucial for stage placement - especially in orchestral mixes.
#VALHALLA VINTAGE REVERB TRY FREE#
Finally, Logic's own Space Designer and Apple's free Matrix Reverb are ridiculously good on the right sources. #UniversalAudio Lexicon 224 is one of my favorite sound design tools for stupid-long epic reverbs.Ĥ. #NativeInstruments RC48 is absolutely killer on lots of material and has a unique personality.
Tied for 3rd place, but still in the winner's circle: #Valhalla Room - easily up there with WAY more expensive verbs I was able to make it sound extremely close to the others here. And the Lexicon stuff - there's a reason it's so iconic. B2 uses a good bit more CPU than most, but easily worth it. amazing for "epic" orchestral storytelling. But man, their dual-engine B2 is just a little notch above when it comes to clarity, definition, and width. Breeze has been one of my favorites for years, and still holds its own against just about anything there are still times I will choose it first depending on source. Tied for second place: #2CAudio 's #B2 and #Breeze, along with #Lexicon 's PCM bundle (Random Hall algorithm). It tends to "attach" to the source a bit more than others, which I don't always want when it comes to sound design - but for creating realistic spaces, I've never heard better - and I know a few golden-eared types who struggle to tell the difference between this and the M7 hardware.Ģ. #SlateDigital #VerbSuite with Bricasti M7 bundle. Obviously subjective and totally dependent on source material, but my current favorites:ġ. This latest generation of plugins is a pretty big step up - I'm finally at a place where I'm happy without having to use any external hardware. With cinematic music & sound design, reverb is a crucial element and I'm always looking for that last 2%. I'm about to start mixing a huge project and took a few hours to audition the latest verbs. I highly recommend it.įunny, just saw this thread after posting the following on my FB page yesterday. But I'm pretty sure you'll be able to find at least a few things in Valhalla that work great for you. so over time you'll find what works really well for you and what doesn't. There is never one tool that works for everything. I still also use Altiverb a lot and Lexicon PCM verb plugins a lot too. But even though I have Valhalla Room and love it. I have Valhalla Room and use it all the time on orchestral mixes. LukasEvery reverb has it's ups and downs and things it works best on and things it doesn't work best on. The Valhalla reverbs get mentioned a lot and so I wanted to ask, whether Valhalla Room or Valhalla Vintage Verb, would be better suited to be used also in a orchestral context? Or maybe the Schwa Verbiage? I'm using a MIRx venue for my VSL instruments so far, but I'd also like to get myself a decent "beginner friendly" (read cost-efficient) reverb in order to leave the safety of MIRx and try to reverb/pan on my own a bit (and for using other libraries). I have a question concerning reverbs in orchestal (sampled) music.
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